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  <a href="/blog/blog/7258730/the-making-of-aishet-chayil">The making of Aishet Chayil</a>&nbsp;
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  <div class="message"><div class="body" style="cursor:pointer;font-family:'Helvetica Neue', Helvetica, Arial, sans-serif;font-size:13px;line-height:19px;outline-color:initial;outline-style:initial;outline-width:0px;">The recording of Reb Shlomo Carlebach's "Aishet Chayil", "Woman of Valor" on the RebbeSoul "From Another World" album.</div><div class="body" style="color:#444444;cursor:pointer;font-family:'Helvetica Neue', Helvetica, Arial, sans-serif;font-size:13px;line-height:19px;outline-color:initial;outline-style:initial;outline-width:0px;">
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<br><span style="color:hsl(210, 75%, 60%);"> </span>
</div><div class="body" style="color:#444444;cursor:pointer;font-family:'Helvetica Neue', Helvetica, Arial, sans-serif;font-size:13px;line-height:19px;outline-color:initial;outline-style:initial;outline-width:0px;"><a class="no-pjax" href="http://soundcloud.com/rebbesoul/aisheth-chayil" target="_blank"><span style="color:hsl(210, 75%, 60%);"><strong>Click here for the song</strong></span></a></div><div class="body" style="color:#444444;cursor:pointer;font-family:'Helvetica Neue', Helvetica, Arial, sans-serif;font-size:13px;line-height:19px;outline-color:initial;outline-style:initial;outline-width:0px;">
<br> </div><div class="body" style="cursor:pointer;font-family:'Helvetica Neue', Helvetica, Arial, sans-serif;font-size:13px;line-height:19px;outline-color:initial;outline-style:initial;outline-width:0px;">The video was taken at my studio with my iphone. Maybe I should get a camera!</div></div>
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  <a href="/blog/blog/7258731/new-music-new-tour">new music, new tour</a>&nbsp;
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  <div class="message"><p>Working on tracks with Yemenite singer, Shlomit Levi and planning to tour in Europe and the USA later this year as "Shlomit &amp; The Rebbe."  It's Yemenite and world music, a tasty combination and very new.<br><br>Here's the first track we worked on, featuring some special guests from Orphaned Land and Gaya in Israel.  It's called "Ruchi" in Yemenite which means My Spirit.  Click Shlomit's picture below and it will take you to the track.<br><br> </p><div class="separator" style="clear:both;text-align:left;"><img src="https://2.bp.blogspot.com/-bwtEoyoPddI/TxHJnOO0eRI/AAAAAAAAAIQ/MI5ELDqhXP8/s1600/Shlomit-1-sized.jpg" class="size_xl justify_inline border_" /></div><div class="separator" style="clear:both;text-align:left;">
<br> </div><div class="separator" style="clear:both;text-align:left;">If clicking on the photo doesn't work, try this link:</div><div><a class="no-pjax" href="http://soundcloud.com/shlomit-levi/spirit-shlomit-the-rebbe">http://soundcloud.com/shlomit-levi/spirit-shlomit-the-rebbe</a></div><div>
<br> </div><div>Wanna' invite us to your town or venue?  Just <a class="no-pjax" href="http://www.rebbesoul.com/contact.html">contact us here</a>.</div><div>There's more information on this unique project my blog and a <a class="no-pjax" href="http://www.reverbnation.com/shlomittherebbe" target="_blank">ReverbNation page</a> for <a class="no-pjax" href="http://www.reverbnation.com/shlomittherebbe" target="_blank">Shlomit &amp; The Rebbe</a> which has more tracks, photos, and an impromptu video, live in the studio.</div></div>
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  <a href="/blog/blog/7258732/moishele-s-nigun">Moishele&#39;s Nigun</a>&nbsp;
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  <div class="message"><p>This is the story behind "Moishele's Nigun,"the song which first appeared on the album, <i>Fringe Of Blue</i> and most recently on <i>From Another World.</i>  It is a true story from Vienna during WW2.  Moishele is the affectionate term for the name Moshe.<br><br>The video of the story was taken in my studio in Israel on my iPhone.<br><br> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="l5aQqq-3dbI" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/l5aQqq-3dbI?rel=0&amp;wmode=transparent&amp;enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><br>Then...<br><a class="no-pjax" href="http://snd.sc/yS2Een">Click here for the song</a></p></div>
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    <p class="post-info"><span data-time="2012-01-07T16:19:00-08:00" title="January 07, 2012 16:19">01/07/2012</span></p>

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<h2 class="heading-secondary heading-blog alt-font">
  <a href="/blog/blog/7258733/new-yemenite-music-with-shlomit-levi">New Yemenite music with Shlomit Levi</a>&nbsp;
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  <div class="message"><div style="font:12.0px Helvetica;margin:0.0px 0.0px 0.0px 0.0px;"> </div><p><a class="no-pjax" href="http://1.bp.blogspot.com/--gKSwl213vg/Tg-FMCt2mqI/AAAAAAAAAIE/uCFp91kzcCs/s1600/With-Shlomit-backstage.jpg" imageanchor="1"><img src="https://1.bp.blogspot.com/--gKSwl213vg/Tg-FMCt2mqI/AAAAAAAAAIE/uCFp91kzcCs/s1600/With-Shlomit-backstage.jpg" class="size_m justify_left border_" /></a>I'm working with a wonderful, Yemenite singer in Israel, Shlomit Levi, pictured left.  These songs are not in Hebrew but in Yemenite, occasionally with some other language thrown in.  Yemenite is kind of a dialect of Arabic, spoken by the Jews of Yemen, most of whom are here in Israel now.</p><p>The first song "<span>רוחי</span>"pronounced "Ruchi" meaning "my spirit," was written by Aharon Amram, the father of Yemenite music in Israel.  Shlomit added some sections to the original.  It's usually done to a "Dasa" rhythm which is in 7/8.  I added an extra beat to put it into a more symmetrical 4/4 and as the song is very emotional, dealing with lost love and eventually a suicide, I began it with a heartbeat-sounding groove.  It's the first thing you hear.  The song ends with it, stopping.</p><p> </p><p><a class="no-pjax" href="http://3.bp.blogspot.com/-h2-aB38AiUo/Tg-LwHjW3WI/AAAAAAAAAIM/8Vk0HOUjaw4/s1600/Matan.jpg" imageanchor="1"><img src="https://3.bp.blogspot.com/-h2-aB38AiUo/Tg-LwHjW3WI/AAAAAAAAAIM/8Vk0HOUjaw4/s1600/Matan.jpg" class="size_m justify_left border_" /></a>Shlomit sang lots of vocals at my studio.  She had many ideas and we got them all.  At last count, I had something like 25 vocal tracks.  I laid down a balalaika part, which functioned as a sort of a drone with a groove and later added some rock guitar, anticipating a big, rock drum performance to build the song.</p><p>The excellent drumming you hear is Matan Shmuely, from the Israeli, metal band Orphaned Land, whom Shlomit also sings with.  I arrived at the studio with a chart which was more like a rough sketch, really.  I gave it to Matan and he went through a take.  Shlomit and I suggested a few changes and he walked back in and nailed it on the next take- punches, breaks, groove, and all.  Matan is pictured on the left.</p><p>Powerful performance, perfectly complemented by the creative, bass playing of Moran Baron whom I recorded later at my own studio.  Moran also played bass on my "From Another World" album, including the song, "Adir Hu," which I wrote about in an earlier blog.</p><p>The solo in the song features my good friend Gili Liber on ney.  Gili has a restaurant in town with his wife Ayelet and I love to go there to sample Ayelet's unique and tasty cooking and hang out with Gili.  He has nice touch with ethnic flutes and it seemed to fit the song so we agreed to meet over at his studio where I recorded him.  I love the warm sound he gets, very breathy and moody.  That's Gili on the right, playing his ney.  He's also the founder of the famed, Israeli world music group, Gaya.<a class="no-pjax" href="http://1.bp.blogspot.com/-bB_DH_Cd0Ns/Tg-GEDLRnhI/AAAAAAAAAII/hE4n6RLd7Lo/s1600/m.jpg" imageanchor="1"><img src="https://1.bp.blogspot.com/-bB_DH_Cd0Ns/Tg-GEDLRnhI/AAAAAAAAAII/hE4n6RLd7Lo/s1600/m.jpg" class="size_m justify_right border_" /></a></p><p> </p><p>Here is a<span style="color:hsl(210,75%,60%);"> </span><a class="no-pjax" href="http://soundcloud.com/shlomit-levi/spirit-shlomit-the-rebbe" data-link-type="url"><span style="color:hsl(210,75%,60%);">link</span></a> to the song which is only a few tweaks away from being finished. </p><div style="font:16.0px Times;margin:0.0px 0.0px 0.0px 0.0px;min-height:19.0px;">
<br> </div><div style="font:16.0px Times;margin:0.0px 0.0px 0.0px 0.0px;">
<br><br> </div><div style="font:16.0px Times;margin:0.0px 0.0px 0.0px 0.0px;min-height:19.0px;"> </div><div style="font:12.0px Helvetica;margin:0.0px 0.0px 0.0px 0.0px;"> </div><div style="font:16.0px Times;margin:0.0px 0.0px 0.0px 0.0px;">
<br><br> </div><div style="font:16.0px Times;margin:0.0px 0.0px 0.0px 0.0px;min-height:19.0px;">
<br> </div><div style="font:16.0px Times;margin:0.0px 0.0px 0.0px 0.0px;"> </div></div>
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    <p class="post-info"><span data-time="2011-07-02T13:49:00-07:00" title="July 02, 2011 13:49">07/02/2011</span></p>

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  <a href="/blog/blog/7258734/visit-to-amuka-and-the-making-of-kaddish">Visit to Amuka and the Making of Kaddish</a>&nbsp;
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  <div class="message"><p><span>Amuka, in northern Israel, is the gravesite of Rabbi Yonathan ben Uziel, one of the greatest students of Rabbi Hillel from 2000 years ago. I was there with three friends. An Ashkenazi, an Ethiopian, and Pincus, dressed in a dusty, black coat and kippah, covered with soot from head to foot and wreaking of pure kindness. He was a total </span><i><span>tzaddik</span></i><span>, or holy man, reminding me of Eliyahu ha Navi, the angel and prophet, frequently disguised as a beggar.</span></p><p>Except for us, the place was completely deserted. It was dusk, time for <i>arvit</i> or <i>mincha</i>, evening prayers, and my companions complained about being short six men for a minyan. We were only four and ten is the necessary quorum in our tradition. Pincus leapt upon a rock and began, “If you have faith, then we will have our minyan!” he exclaimed. "<i>Emunah</i>!" he cried. I looked up at the road leading to Amuka and saw a desolate site among the trees. There was nothing… nothing, only trees. Where this minyan was going to appear from was certainly a mystery to me. We went inside the small building there in the wilderness, which housed the tomb of the great sage and began our prayers.</p><p>Somewhere in the middle of what we were doing, I heard a noise outside and poked my head out the door. I saw a car gradually winding its way down the hill through the trees. When it got to the parking lot, completely empty except for our car of course, the doors opened and one by one, six guys piled out and headed our way. We were four, combined with their six, there was our minyan! </p><p>Pincus lost all control. He started jumping up and down and dancing, singing. He was the happiest man on the planet. “See? I told you to have faith!” Moments later, another car appeared with more men. And then another. Lots of minyans. In fact, by the end of all this, three busloads had shown up, full of people visiting Amuka, the women lighting candles, so many that it turned into a bonfire.</p><p><a class="no-pjax" href="http://3.bp.blogspot.com/-5p9Gkc-uDgs/Tb3K4l3doOI/AAAAAAAAAHs/l1r-ycZcu68/s1600/amuka.jpg" imageanchor="1"><img src="https://3.bp.blogspot.com/-5p9Gkc-uDgs/Tb3K4l3doOI/AAAAAAAAAHs/l1r-ycZcu68/s1600/amuka.jpg" class="size_m justify_left border_" /></a></p><p>The acoustics sounded so good in that little stone building that I whipped out my trusty recorder and got the Ethiopian guy reciting Kaddish. It turned out to be the first of many sound samples I was to use in the track I ultimately called Kaddish. Eventually I was to gather many other samples of this prayer but this was the first and would be followed by Hungarians, Moroccans, Persians, Yemenites, the Sephardim from the Abu Hav synagogue in Tzfat, all recorded over a two-year period. Miraculously, when I assembled the recorded samples I was to use in the song, they were all in the same key, only one of them being off by mere semitones! What are the chances of that?</p><p><a class="no-pjax" href="http://1.bp.blogspot.com/-51vYWI84g24/Tb3K8oPvdnI/AAAAAAAAAHw/lovc29ooswY/s1600/Caxixi.jpg" imageanchor="1"><img src="https://1.bp.blogspot.com/-51vYWI84g24/Tb3K8oPvdnI/AAAAAAAAAHw/lovc29ooswY/s1600/Caxixi.jpg" class="size_m justify_right border_" /></a>I spent a month in the studio, putting all the pieces together and adding caxixi (basket shaker), balalaika, beats, and more percussion from Tim Bolling.</p><p><i>Kaddish</i> is on the "<i><strong>Change The World With A Sound </strong></i>" album and is still one of my favorites. Listen to it <a class="no-pjax" href="https://www.facebook.com/rebbesoulmusic/" data-link-type="url"><span style="color:hsl(210,75%,60%);">here</span></a>.</p><div class="separator" style="clear:both;text-align:center;"> </div></div>
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  <a href="/blog/blog/7258735/recording-adir-hu">Recording Adir Hu</a>&nbsp;
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  <div class="message"><p>When I got to Israel, I played a lot of weddings as a guitarist/sideman, particularly in Jerusalem. Often the material consisted of Reb Shlomo's songs and that's how I learned many of them. One of the most popular was "Adir Hu." It's from the holiday of "Pesach" or Passover. Oddly enough, it's very un'Shlomo sounding as it has a distinct Sephardi or Mizrachi sound to it. The section that sounds most like Reb Shlomo is where everyone yells, “Kel Bnai!”</p><p>I was recording at the studio of Dan Gil, the Gearer Rebbe. Dan is called the Gearer Rebbe because he knows a lot about musical gear and is infatuated with it. He had just acquired a Turkish saz, sometimes called a baglama. I was at the studio for a few days and Dan kept telling me about the saz and how I should play it on the new album. "I don't know how to play saz. I don't even know the tuning," I replied. He persisted and as soon as he handed it to me, I strummed it and knew it would be perfect for something. The Gearer Rebbe is a wise man. I loved the sound of that saz.</p><p>"Adir Hu," at least for a westerner, is exotic to begin with so that seemed like the right tune to choose for the saz. I used some of the strings as drones and although I have no idea whether or not that's part of the method of playing, it sounded good. I played a track. I even laid down a 2nd track and both sounded really good together. On the recording you can hear the second saz enter after a verse.</p><p>Eventually I went back to Israel and was listening to the tracks. Although they stood well on their own, I wanted to add a few more things. I was just having too much fun with the song and didn't want to stop. I had made a stop in San Francisco on the tour before returning to Israel and went to one of my favorite music stores, Clarion Music. It's a wonderful place in San Francisco's Chinatown to explore non-Western instruments. I first discovered it in the mid-90s, with our percussionist, Cassio Duarte. We were in San Francisco to play Great American Music Hall and Cassio heard about this store so we went there and emerged hours later. Both of us were like kids in a candy store. I got a dolak from Pakistan and used it shortly afterward on "A Narrow Bridge" or "Kol Ha Olam Kulo" in Hebrew, on my Fringe of Blue album.</p><p>On this visit, in 2009, I was in Clarion Music with my brother, Scott and his son Steven being tourists. I left with a jaw harp and some hand percussion from Viet Nam and China. When it came time to record the additional material for the song. I used my mobile recording studio in Israel and pulled out these new toys of mine and rolled a few tracks. It certainly had an unusual sound and to smooth things out I added some finger cymbals which kind of fused the east with the middle east. The only thing missing was a deep sounding drum for the bottom end. All the drums I had to fit the bill were in the United States and I wasn't there. It was so hot in Israel, I was drinking bottles of water constantly and just polished one off. I gave it a bang and it sounded pretty good so I played a "four on the floor" pattern on the water bottle and that's what you hear on the track. It comes in toward the end and sounds like a big drum.</p><p>I had so much fun with "Adir Hu," I decided to do another take on it with a different feel. I jumped on the computer and came up with a drum loop, some synth sounds and created a nice bed for the the melody. I took out my nylon string and it sounded divine, so soothing. I spotted my balalaika, sitting in the corner so I picked it up and played a track which I also liked. I used both, the balalaika at the beginning and the nylon string afterwards. I added distortion to the balalaika and gradually brought it in, creating a morphing effect as the song progressed.</p><p>I wanted an intense, groove-oriented bass part so I called up one of my very favorite bassists, Moran Baron from a kibbutz just minutes away from me and he came over slammed a killer bass part. Moran has lots of ideas and usually lays them all down which requires editing afterwards. It's difficult to discard anything he plays because it's always so musical. In fact, I loved what he played so much that I lengthened the song by a few minutes with a long ride-out at the end to accommodate his many ideas. The long ride-out also allowed me to indulge myself at the end, playing one of my new toys, the jaw harp I got in San Francisco.</p><p>I called this track, "Adir Hu Revisited" and it's at the end of the album, just before the radio mixes. I liked the way it finished off the album, providing a long, late-night, college dorm, hang out kind of mood.</p></div>
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  <a href="/blog/blog/7258736/skverer-hasidim-at-the-wall-in-jerusalem">Skverer Hasidim at the Wall in Jerusalem</a>&nbsp;
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  <div class="message"><img src="//images.zoogletools.com/s:bzglfiles/u/624293/f76ecb9ef5ec1327cca448d73af3f6081640dc60/original/square-rebbe-crowd.jpg/!!/meta%3AeyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ%3D%3D.jpg" class="size_xl justify_center border_" /><p>I played in Jerusalem Wednesday night at my CD release party. Wonderful night and I'll write about that another time. What I want to relate now is what happened afterward in the "wee hours of morn!" I went to the Kotel. It must have been 1am or so and I was with a few friends. When we got there, there was a huge group of hasidim and we found out it was the Skverer Rebbe (also Square Rebbe) and his followers. A Twersky, his dynasty began in the 1700s in Chernobyl, as followers of the Baal Shem Tov. At one point their synagogue was located in Skverer in the Ukraine, hence the name of his title, the Skverer Rebbe. Now it's based in New Square in New York and the current Rebbe, whom I saw at the Kotel, has over 20,000 followers.<br> </p><img src="//images.zoogletools.com/s:bzglfiles/u/624293/0eb54ffd56bd00b875bbd584c19a3f7de038ef40/original/square-rebbe.jpg/!!/meta%3AeyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ%3D%3D.jpg" class="size_xl justify_center border_" /><p><br>How they hung on to every word their Rebbe said. There were a few hundred of them, all singing and praying together. I grabbed by cell phone and took this little video.<br> </p><div style="text-align:center;">
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  <a href="/blog/blog/7258737/i-first-heard-im-eshkachech-in-jerusalem-on-tisha-b-av-there-were-a-group-of-people-sitting-on">I first heard Im Eshkachech in Jerusalem on Tisha B&#39;Av.  There were a group of people sitting on...</a>&nbsp;
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  <div class="message"><img src="//images.zoogletools.com/s:bzglfiles/u/624293/a588c28353d0fa5cd27a4a65bef94998992d6136/original/jerusalem.jpg/!!/meta%3AeyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ%3D%3D.jpg" class="size_l justify_center border_" /><p>I first heard <i>Im Eshkachech</i> in Jerusalem on <i>Tisha B'Av</i>. There were a group of people sitting on the floor singing it slowly, nigun style - with no words. It sounded hauntingly beautiful. Years later, I was at a friend's house for Shabbat and was sitting on the couch, reading something. Suddenly I heard the melody again and saw my friend, sitting at the table at the other end of the room, singing it. Neither of us knew what it was or who wrote it but it's one of those melodies that's hard to forget. I asked around and found out it was <i>Im Eshkachech</i> by Reb Shlomo Carlebach.</p><p>Despite that it was usually sung quietly, I pictured it as an anthem, a rock anthem, but still maintaining its devotional quality. A few chord substitutions I took the liberty of making added more passion to the overall feeling of the song and I arranged the structure so it builds from the mellow beginning to the end where it gets intense. I wrote out the charts and went into the studio with Rotem Az-Ogen playing drums and Moran Baron on bass. My amp was in California and I was in IsraeI, so I played the rhythm guitar part through a Fender Deluxe, borrowed from my friend, Joel Abramson. The Deluxe sounded great with a Jenson speaker, vintage style. Just enough grit but not too much to make it sound unnatural.</p><p>Using my mobile studio later, I added keyboard and guitars playing melody and the solo as well as the intro which I inserted it at the beginning. Amit Golan mixed it at Super Sonic Studios in Jerusalem, the perfect place for this song which says…</p><p>"If I forget you, O Jerusalem, let my tongue cleave to the roof of my mouth..." These are the words of <i>Im Eshkachech</i>. They are about our devotion to Jerusalem, our holy city.</p><img src="https://3.bp.blogspot.com/_6NQax9GREs0/TSzXlCzwzMI/AAAAAAAAAGQ/XGrewskVyJ4/s200/Kotel.jpg" class="size_l justify_center border_" alt="" id="BLOGGER_PHOTO_ID_5561056671304830146" /></div>
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  <a href="/blog/blog/7258738/poland-in-lodz">Poland - in Lodz</a>&nbsp;
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  <div class="message"><div style="text-align:left;">One of my recent concerts in Poland included Lodz (pronounced "Woodj"). As it was during the holiday of Chanukah, there was a candle lighting ceremony prior to my performance. The Rabbi of Lodz sang the blessings and Ma Oz Tzur. I captured part of it with my camera and wanted to share it with you. Notice the familiar melody but with the probably very unfamiliar Polish pronunciations of the Hebrew words in this classic song.</div><div> </div><div><iframe class="b-hbp-video b-uploaded" allowfullscreen="allowfullscreen" webkitallowfullscreen="webkitallowfullscreen" mozallowfullscreen="mozallowfullscreen" width="320" height="266" src="https://www.blogger.com/video.g?token=AD6v5dzrvLa3wR_2kHQJ0Xnu_PSXm8Qke0QQuFWISUTsP2JU4TO1SDS9y0vBG2awZlpbrj6gHx8PAX9dX-1y-egduQ" frameborder="0"></iframe></div><div> </div><div>Here are a few shots of my performance too, taken by a French film student, doing a project in Poland for her school in Belgium.</div><p><span style="color:rgb(0,0,238);"><img src="https://2.bp.blogspot.com/_6NQax9GREs0/TQVUXmooP_I/AAAAAAAAAFQ/EmNNtZX6UlU/s200/IMG_0342.jpg" class="size_l justify_center border_" alt="" id="BLOGGER_PHOTO_ID_5549934880288686066" /></span></p><div>
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<div>These were taken while I played one of my favorite Ladino songs, "Cuando el rey Nimrod" which is a song about the birth of Abraham. I hope to release a recording of this song with the RebbeSoul Power Percussion Trio sometime in the near future.</div>
</div><div style="text-align:left;"> </div><img src="https://2.bp.blogspot.com/_6NQax9GREs0/TQVVic5lcsI/AAAAAAAAAFg/yw8A4QhQRTU/s200/IMG_0345.jpg" class="size_l justify_center border_" alt="" id="BLOGGER_PHOTO_ID_5549936166165639874" /><div>
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</article>  <article class="post blog-article full-item post-full" data-controller="zoogle-video" data-action="message@window-&gt;zoogle-video#handleVimeoPostMessage">
    
<h2 class="heading-secondary heading-blog alt-font">
  <a href="/blog/blog/7258739/poland-december-9-2010">Poland December 9, 2010</a>&nbsp;
</h2>

<div class="post">
  <div class="message"><p><span>I just played my final concert in Poland on this tour last night, December 9th, the last night of Chanukah at the famous, old yeshiva in Lublin. Here's an old photo of it which is displayed in the yeshiva's museum.</span></p><div>
<p><br><a class="no-pjax" href="http://1.bp.blogspot.com/_6NQax9GREs0/TQFLvMgZUvI/AAAAAAAAACw/hrua7wD9ixA/s1600/Lublin%2B20102.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img src="https://1.bp.blogspot.com/_6NQax9GREs0/TQFLvMgZUvI/AAAAAAAAACw/hrua7wD9ixA/s200/Lublin%2B20102.JPG" class="size_m justify_left border_" alt="" id="BLOGGER_PHOTO_ID_5548799490080199410" /></a></p>
<div><span>Before Me'ah Sharim, there was Lublin! There is a history of Jewish life in Lublin since the 1300s. In 1939, there were over 42,000 Jews in Lublin. This is yeshiva was the center of Jewish learning. The renown Rabbi Majera Szapira, originator of "Daf Yomi" a page a day of Talmud, was one of the main figureheads at this yeshiva, in the early 1900s.</span></div>
<div>
<br> </div>
<div><span style="color:rgb(0,0,238);"><span><img src="https://2.bp.blogspot.com/_6NQax9GREs0/TQFmUoNQtUI/AAAAAAAAAEg/zomiL7KK9-k/s200/Lublin%2B20103.JPG" class="size_m justify_right border_" alt="" id="BLOGGER_PHOTO_ID_5548828720473617730" /></span></span></div>
<div>Rabbi Szapira's picture is on the right.</div>
<div>
<br> </div>
<div><span>There were nearly 100 synagogues in this city. Now there is one and I understand, getting a minyan is almost impossible. There are something like 50 Jews in Lublin now. This yeshiva has been beautifully reconstructed. Now, all they need is people. It's empty.</span></div>
</div><div>
<br> </div><div><span>After the war (a phrase I hear several times a day in Poland) there were between 2000 to 3000 Jews, depending on the exact year, who returned to live in Lublin. Jews came to the city from the liberation of central Poland and also from the Soviet Union. This ended with the Kielce pogrom of 1946. Many survivors of the death camps were murdered in this pogrom, as if the Nazis had finished the job yet. The Jewish population dwindled to 1000 and then lower still in the early 1950s. 1968 saw another anti-Semitic campaign and more Jews left Lublin. Jewish sites in the city have experienced some reconstruction since the mid-1980s, thanks to Dr. Symcha Wajs, an earlier resident of Lublin, before the war, although most Jewish residents will confess that Lublin is still not a particularly friendly city for them.</span></div><div>
<br> </div><div><span>I played at the yeshiva which has a fascinating museum upstairs and was taken on a tour of the building. This is the "bet knesset" or synagogue of the yeshiva, restored with its original windows and everything else. The only new items in this room are the benches.</span></div><p><br> </p><p><img src="https://3.bp.blogspot.com/_6NQax9GREs0/TQFQ4rMJpRI/AAAAAAAAAC4/8Pjq6fS7Bkk/s200/Lublin%2B20101.JPG" class="size_xl justify_inline border_" alt="" id="BLOGGER_PHOTO_ID_5548805150493746450" /></p><p><span>During the war, the Gestapo took the building and used it for their headquarters. The yeshiva library contained over 20,000 books and all were burned by the Nazis. When the war ended, the yeshiva was turned into a medical school. Eventually, the medical school moved and the yeshiva began to be reconstructed, a process that continues now and hopefully will be complete by the summer of 2010. The plans are for it to be turned into a hotel, still maintaining the historical sites and memorabilia as well as the museum.</span></p><div>
<br> </div><div><span>Here is a shot of my concert at the yeshiva, taken by the very talented Polish photographer, Jurek Liniewicz. He wrote me this which brought me to tears, "Thank you for your very beautiful and energetic performance. We can be proud to be Jews."</span></div><div>
<br><img src="http://2.bp.blogspot.com/_6NQax9GREs0/TQFVr6BTXcI/AAAAAAAAADA/0VsoVD8heIw/s1600/Lublin%2B2010.JPG" class="size_orig justify_left border_" /></div><p> </p><div><span>I'm so glad I did this concert as well all the others in Poland. There was the little community of Legnica, beautiful Wroclaw (prononced Breslov) originally Prussian with its amazing architecture, Warsaw of course, Kracow a city I wish I could spend more time in, Poznan (originally Posner in German), Lodz, Czestochowa with it's great school of art for young people where I played, another tiny community - Katowice, and Lublin. I deeply appreciate Rabbi Michael Schudrich, the Chief Rabbi of Poland, for bringing me to his country. This has been an experience I shall never forget.</span></div><div>
<br> </div><div><span>Being a musician and playing cultural, even religious music affords me the opportunity to do things like this. How grateful I am for what I do. Whatever gifts we have, whatever skills we have, were somehow given to us by G-d and to return the favor is one of the most significant, important, and meaningful things we can do with our lives.</span></div><div>
<br> </div><div>
<span>When I finished the concert at the yeshiva in Lublin I was invited to the old shtiebel (little synagogue) in town and was taken around by Luba Matrazek who now manages it. It is still in disrepair but they managed to have a little Chanukah party there a few night before and it is constantly being worked on. This is Luba, pointing to her picture as a young girl in Jewish school just after the war.</span><img src="http://1.bp.blogspot.com/_6NQax9GREs0/TQFdJrKDmGI/AAAAAAAAADI/5MwLtnVJThk/s1600/Lublin%2B201014.JPG" class="size_xl justify_inline border_" /></div><div>
<br> </div><p><img src="http://3.bp.blogspot.com/_6NQax9GREs0/TQFdosQlUfI/AAAAAAAAADQ/ZnR_5xHjegY/s1600/Lublin%2B201013.JPG" class="size_xl justify_inline border_" /></p><div> </div><div>Notice that Luba is all bundled up. This is because there is no heat in the place save for a small space heater, during winter in Poland.</div><div> </div><p><span style="color:rgb(0,0,238);"><img src="https://1.bp.blogspot.com/_6NQax9GREs0/TQFfbnPbKlI/AAAAAAAAADg/e05QGdJUyoE/s200/Lublin%2B201012.JPG" class="size_m justify_left border_" alt="" id="BLOGGER_PHOTO_ID_5548821143891946066" /></span></p><div>The date on this photo to the left reads 1938 and I have a feeling this happy, smiling girl had no idea what would soon be in store for her and her people in a year and a half's time. How life would change. It would soon be horrific.</div><div> </div><div>Most people ended up in the camps and some fled to the woods and joined the partisans. Even after it was all over, pogroms continued where the holocaust left off.</div><div> </div><div> </div><div> </div><div> </div><div>Below is a handmade afikomen cover for the holiday of Pesach (Passover), on display at the shtiebel.</div><div> </div><p><img src="http://1.bp.blogspot.com/_6NQax9GREs0/TQFh-Er1ZPI/AAAAAAAAAEA/mNpf5uwepfw/s1600/Lublin%2B201011.JPG" class="size_xl justify_inline border_" /></p><div> </div><div>There was a mikvah, a ritual bath at the yeshiva which is being restored. Here is what it looks like now, still being remodeled.</div><div> </div><p><img src="http://4.bp.blogspot.com/_6NQax9GREs0/TQFkzzWxDGI/AAAAAAAAAEQ/xTMzt4NdE8I/s1600/Lublin%2B20104.JPG" class="size_xl justify_inline border_" /></p><div> </div><div>Some of the items were replaced, like the original tile on the floor of the mikvah itself. Below is one of those original tiles from the mikvah. Notice the "Magen David," the star of David.</div><div> </div><p><img src="http://2.bp.blogspot.com/_6NQax9GREs0/TQFk75IHoiI/AAAAAAAAAEY/RsbCE-zmJ5I/s1600/Lublin%2B201010.JPG" class="size_xl justify_inline border_" /></p><div style="text-align:center;"> </div><div><span style="color:rgb(0,0,238);"><img src="https://3.bp.blogspot.com/_6NQax9GREs0/TQFpdNy7AlI/AAAAAAAAAEw/u3nuXp3gH4c/s200/Lublin%2B-%2BPinchas1.JPG" class="size_m justify_right border_" alt="" id="BLOGGER_PHOTO_ID_5548832166537527890" /></span></div><div>After the concert and visiting the shtiebel, I was invited to attend a theatre performance of Pinchas Passini, one of the finest directors in Poland, now living in Lublin. It was an outstanding performance from the directing, to the set design, to the acting, to the music. The story is an adaption of Russian fairy tales. Here is what the empty set looked like before the performance began. On each one of the clouds, a video was projected reflecting a certain aspect of the story, featuring the very actors in the play but in real life. I couldn't understand a word but was mesmerized the whole time. The art in Poland and indeed, in much of Eastern Europe is excellent, often far beyond what even exists in the West.</div><div> </div><div>Originally from Warsaw, Pinchas Passini was brought to Lublin as part of a government effort to emancipate their country through the arts and Lublin, as musicians in the States would say, is a good "shake down town." It's out-of-the-way and not expensive and less distracting than the major cities. In short, it's a good place to develop something. Being a Jew there is more difficult than in Warsaw or even Kracow which are places that are more emancipated already and therefor have far less anti-Semitism. Generally, the more remote the location, the harder it is to be a Jew. We went to a little restaurant to have a little nosh while we were talking and to my surprise, in Lublin, there were no kosher restaurants! Where ended up was the closest thing to being kosher as it was considered Jewish style; it is owned by some people in the Jewish community. I saw kosher Israeli wine - Gamla, Yarden, Golan, saw pictures of Jewish life on the walls, ... and of course there was Slivovitz, plum liquor which was so high proof, I gagged, startling Pinchas who nonchalantly polished off his glass in one gulp and ordered another. I'm a wimp with alcohol.</div><div> </div><div>It does appear as Poland is progressing. It's starting in the cities and the government seems to promote a modern, accepting culture. The younger generation does not have the bias of anti-Semitism and is interested in Jewish culture. I met more and more young people who also had Jewish blood in their family histories and were only discovering it now. They are interested, enthusiastic, and intrigued.</div><div> </div><div>I spend Shabbat in Warsaw, courtesy of the Rabbi and then go to Germany.</div></div>
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